"Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna)" by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado was released on March 16, 2001. With this song being about 5 minutes long, at 4:53, "Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna)" by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Karita Mattila, Yutaka Sado & London Philharmonic Orchestra, Yutaka Sado, London Philharmonic Orchestra's "Karita Mattila Sings Arias & Scenes" album is number 11 out of 11. The popularity of Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lehár: Die lustige Witwe, Act 2: Vilja-Lied (Hanna) by Franz Lehár, Karita Mattila, London Philharmonic Orchestra, Yutaka Sado to be Vivace (lively and fast) because the track has a tempo of 176 テンポ, a half-time of 88テンポ, and a double-time of 352 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin / Act 3: "Treulich geführt ziehet dahin" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 82 BPM | ||
Hungarian Dance No. 1 In G Minor, WoO 1 (Orchestrated By Johannes Brahms) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 4 | 6A | 78 BPM | ||
Lehár: Friederike, Act 2: "Warum hast du mich wachgeküsst?" (Friedrike) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Die lustige Witwe (1987 Digital Remaster): Heia, Mädel, aufgeschaut - Dummer, dummer Reitersmann | Franz Lehár, Anneliese Rothenberger, Nicolai Gedda, Erika Köth, Bavarian Radio Chorus, Symphonie Orchester Graunke Munchen, Willy Mattes, Symphonieorchester Graunke | G Major | 1 | 9B | 63 BPM | ||
Lehár: Paganini: "Liebe, du Himmel auf Erden" (Anna Elisa) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Turandot / Act 2: "In questa reggia" | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 2 | 10B | 78 BPM |