"Lehár: Friederike, Act 2: "Warum hast du mich wachgeküsst?" (Friedrike)" by Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 23, 1995. The duration of Lehár: Friederike, Act 2: "Warum hast du mich wachgeküsst?" (Friedrike) is about 3 minutes long, at 3:03. Based on our data, "Lehár: Friederike, Act 2: "Warum hast du mich wachgeküsst?" (Friedrike)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lucia Popp's "Great Moments of Lucia Popp" album is number 9 out of 48. On top of that, United Kingdom appears to be the country where this track was created. Lehár: Friederike, Act 2: "Warum hast du mich wachgeküsst?" (Friedrike) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lehár: Friederike, Act 2: "Warum hast du mich wachgeküsst?" (Friedrike) by Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
Mattinata (Orch. Luck) | Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | B Major | 3 | 1B | 84 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Je t‘aime (Les Trois Valses) | Oscar Straus, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
Rendezvous bei Lehár (Medley) | Franz Lehár, Deutsches Symphonie-Orchester Berlin | A♭ Major | 2 | 4B | 69 BPM |