"Mozart: Don Giovanni: La ci darem la mano" by Nicolai Ghiaurov, Mirella Freni was released on April 20, 1999. The duration of Mozart: Don Giovanni: La ci darem la mano is about 3 minutes long, at 3:13. Based on our data, "Mozart: Don Giovanni: La ci darem la mano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Nicolai Ghiaurov". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Mozart: Don Giovanni: La ci darem la mano is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mozart: Don Giovanni: La ci darem la mano by Nicolai Ghiaurov, Mirella Freni having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Simon Boccanegra / Act 3: Evviva il Doge! (Coro, Capitano, Fiesco, Paolo) | Giuseppe Verdi, Antonio Savastano, Nicolai Ghiaurov, José van Dam, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 2 | 4B | 72 BPM | ||
La traviata / Act 2: "Noi siamo zingarelle" | Giuseppe Verdi, Wendy White, Jeffrey Wells, Julien Robbins, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine | C Minor | 2 | 5A | 82 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Verdi: Aida, Act 2: "O Re, pei sacri numi" (Radamès, Il Re, Amneris, Sacerdoti, Popolo, Ramfis) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F♯ Major | 2 | 2B | 87 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus) | Gaetano Donizetti, Maria Callas, Raffaele Arie, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 4 | 10B | 141 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina) | Gioachino Rossini, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | F♯ Major | 1 | 2B | 81 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM |