Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus's ' "Willow, Tit-Willow" was released on its scheduled release date, April 11, 2023. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Willow, Tit-Willow's duration is considered a little bit shorter than the average duration of a typical track. This song is part of When I Was A Lad by Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus. The song's track number on the album is #3 out of 16 tracks. Based on our data, Italy was the country where this track was produced or recorded. In terms of popularity, Willow, Tit-Willow is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Willow, Tit-Willow by Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Willow, Tit-Willow being at 112 テンポ, the half-time would be 56 テンポ with a double-time of 224 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Jennifer Johnston, Minnesota Boychoir, Minnesota Chorale, Minnesota Orchestra, Osmo Vänskä | D Major | 0 | 10B | 82 BPM | ||
Miserere in F Minor: Asperges me hyssopo (Soprano) | Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco Placci | C Major | 1 | 8B | 117 BPM | ||
Mozart: Komm, liebe Zither, komm, K. 351 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
The Magic Flute, Act II: Pa-pa-ge-na!' - 'Pa-pa-ge-no! | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Leslie Garrett | C Major | 1 | 8B | 78 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
The Pirates of Penzance: Poor Wandr'ing One! | Marilyn Hill Smith | B♭ Major | 2 | 6B | 130 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
There is beauty in the bellow of the blast | Arthur Sullivan, Lyndsie Holland, John Reed, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 104 BPM | ||
Medley from "Cinderella" (Arr. J. Eskew) | Mack David, Jerry Livingston, Al Hoffman, Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers | D Minor | 4 | 7A | 125 BPM |