"The Magic Flute, Act II: Pa-pa-ge-na!' - 'Pa-pa-ge-no!" by Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Leslie Garrett was released on March 1, 2005. The duration of The Magic Flute, Act II: Pa-pa-ge-na!' - 'Pa-pa-ge-no! is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. The Magic Flute, Act II: Pa-pa-ge-na!' - 'Pa-pa-ge-no!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Elizabeth Vidal, Rebecca Evans, Simon Keenlyside, John Tomlinson, Leslie Garrett's "Mozart: The Magic Flute" album is number 24 out of 42. On top of that, United Kingdom appears to be the country where this track was created. The Magic Flute, Act II: Pa-pa-ge-na!' - 'Pa-pa-ge-no! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Magic Flute, Act II: Pa-pa-ge-na!' - 'Pa-pa-ge-no! by Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Leslie Garrett to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: Une poupée aux yeux d'émail | Jacques Offenbach, Huguette Tourangeau, Plácido Domingo, L'Orchestre de la Suisse Romande, Richard Bonynge | G Major | 1 | 9B | 130 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
La Bohème / Act 2: "Quando men vo" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | F♯ Minor | 1 | 11A | 88 BPM | ||
H.M.S. Pinafore / Act 2: The hours creep on apace | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | C Minor | 1 | 5A | 74 BPM | ||
North Country Sketches: 4. The March of the Spring | Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras | F Major | 1 | 7B | 77 BPM | ||
Suor Angelica: Ho un desiderio anch'io! | Giacomo Puccini, Della Jones, Isobel Buchanan, Dame Joan Sutherland, Miriam Bowen, Janet Price, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
Chi Il Bel Sogno Di Doretta | Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John Pritchard | F Major | 2 | 7B | 101 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Romeo and Juliette, Act III: Que fais-tu | Charles Gounod, Marie-Ange Todorovitch/Orchestre du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Rusalka, Op. 114 / Act 1: Cury mury fuk | Antonín Dvořák, Dolora Zajick, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Major | 1 | 1B | 123 BPM |