"Te Deum: Sanctus" by Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra was released on October 27, 2009. With Te Deum: Sanctus being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Hauk's "Mayr: Te Deum - Mozart: Missa Solemnis" album is number 18 out of 23. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Te Deum: Sanctus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum: Sanctus by Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
Heidi: Act I: Jahrmarkt | Emil Moser, Anne-Marie Blanc, Werner Baumgartner, Vincenzo Biagi, Heiner Hitz, Christian Jott Jenny, Thomas Meienberg, Walter Muller, René Scheibli, Jorg Schneider, Albert Tanner, German Pops Orchestra, Maja Brunner, Bernd Ruf, Stephanie Glaser, Fay Kaufman, Barbara Kretz, Sue Mathys, Bella Neri, Leila Pfister, Gabriela Tanner | G Minor | 2 | 6A | 107 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Ultimo Break | TimeTunes | D♭ Major | 1 | 3B | 170 BPM | ||
Messa solenne in D Minor: VII. Cum Sancto Spiritu | Johann Simon Mayr, Anna Feith, Freya Apffelstaedt, Markus Schäfer, Niklas Mallmann, Simon Mayr Choir, Concerto de Bassus, Franz Hauk | B♭ Major | 2 | 6B | 78 BPM | ||
Das Hexengärtchen: Schneckenmaxe! Schneckenmaxe! | Kasperle, Liselotte Pulver, Hans Clarin, Wolfgang Reichmann, Jörg Schneider | B Major | 3 | 1B | 74 BPM | ||
Petite messe solennelle: XIII. Credo. Et resurrexit | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Symphony No. 5 - Return to Middle Earth: VI. Thuringwethil - Frau vom geheimen Schatten | Johan de Meij, Neuer Kammerchor Heidenheim, Landesblasorchester Baden-Württemberg, Björn Bus, Katarzyna Jagiello | D Minor | 2 | 7A | 85 BPM |