"The Pirates of Penzance: Poor Wandr'ing One!" by Marilyn Hill Smith was released on November 1, 1991. The duration of The Pirates of Penzance: Poor Wandr'ing One! is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The Pirates of Penzance: Poor Wandr'ing One!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Pirates of Penzance: Poor Wandr'ing One!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Pirates of Penzance: Poor Wandr'ing One! by Marilyn Hill Smith having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
1. If you want to know who we are | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 3 | 9B | 121 BPM | ||
H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
La fille du régiment / Act 1: L'ennemi s'avance, amis, armons-nous! | Gaetano Donizetti, Jules Bruyere, Monica Sinclair, Alan Jones, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 1 | 7B | 128 BPM | ||
Gay's the Word: On such a Night as this | Ivor Novello, Stuart Barry, Chandos Concert Orchestra, Marilyn Hill Smith, Gordon Langford | E♭ Major | 1 | 5B | 68 BPM | ||
The Rose of Persia: Act I: The Sultan's Executioner (Dancing Sunbeam, Hassan, Abdallah, Rose-in-Bloom, Heart's Desire, Scent-of-Lilies, Honey-of-Life, Yussuf) | Arthur Sullivan, Richard Morrison, Richard Stuart, Ivan Sharpe, Jonathan Veira, Ian Caddy, Richard Edgar-Wilson, Lynton Black, Sally Harrison, Alison Roddy, Claire Henry, Marilyn Hill Smith, Marcia Bellamy, Claire Pendleton, Southwark Voices, Hanover Band, Tom Higgins | D Minor | 4 | 7A | 131 BPM | ||
Requiem: 8. Lux aeterna & Libera me | Andrew Lloyd Webber, Plácido Domingo, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman | D Minor | 0 | 7A | 93 BPM | ||
Feel the Spirit: IV. Sometimes I feel like a motherless child | John Rutter, Melanie Marshall, The Cambridge Singers, BBC Concert Orchestra | F♯ Minor | 0 | 11A | 78 BPM | ||
2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
Deep In My Heart | David Rendall, Marilyn Hill Smith, Ambrosian Chorus, Philharmonia Orchestra | F Major | 6 | 7B | 137 BPM | ||
Gounod : Faust : Act 1 "Rien!...En vain j'interroge" [Faust] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 0 | 8B | 130 BPM |