"Requiem: 8. Lux aeterna & Libera me" by Andrew Lloyd Webber, Plácido Domingo, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman was released on January 1, 1985. Since Requiem: 8. Lux aeterna & Libera me is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Andrew Lloyd Webber, Plácido Domingo, Sarah Brightman, Lorin Maazel's "Lloyd Webber: Requiem" album is number 8 out of 8. In terms of popularity, Requiem: 8. Lux aeterna & Libera me is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: 8. Lux aeterna & Libera me by Andrew Lloyd Webber, Plácido Domingo, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel, Sarah Brightman to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rusalka, Op. 114 / Act 3: Líbej mne, líbej, mír mi prej | Antonín Dvořák, Ben Heppner, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Nulla in Mundo Pax Sincera, RV 630 | Antonio Vivaldi, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E♭ Major | 0 | 5B | 85 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Man of La Mancha: The Impossible Dream | Mitch Leigh, Plácido Domingo, Julia Migenes, Paul Gemignani, American Theatre Orchestra | D Major | 3 | 10B | 189 BPM | ||
Werther / Act 3: "Va! Laisse couler mes larmes" | Jules Massenet, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | G Minor | 1 | 6A | 86 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
All I Ask Of You - Reprise | Andrew Lloyd Webber, Phantom Of The Opera Original London Cast, Michael Crawford, Steve Barton, Sarah Brightman | C Major | 1 | 8B | 81 BPM |