"Messa da Requiem: II Lacrymosa" by Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra was released on September 19, 1997. Messa da Requiem: II Lacrymosa is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. This song is part of Verdi: Requiem / Quattro Pezzi Sacri by Giuseppe Verdi, Mass Text. The song's track number on the album is #11 out of 24 tracks. Messa da Requiem: II Lacrymosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem: II Lacrymosa by Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem: II Lacrymosa being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: II Quid sum miser | Cesar Hernandez, Hungarian State Opera Chorus, Elena Filipova, Hungarian State Opera Orchestra, Carlo Colombara, Gloria Scalchi | E♭ Major | 0 | 5B | 82 BPM | ||
Vuelo Alto (feat. Gerardo Corona & Cesar Hernandez) | Delaware MX, Gerardo Corona, Cesar Hernandez | C Minor | 9 | 5A | 135 BPM | ||
The Magic Flute, K. 620: Act II, No. 18. Coro: "O Isis, und Osiris, welche Wonne!" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 0 | 7B | 67 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Offertorium | Gabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | D Major | 0 | 10B | 72 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
La Sonnambula, Act I, Scene 1: Vi ravviso, o luoghi ameni (Rodolfo/Tutti/Lisa/Coro) | Vincenzo Bellini, Evelino Pidò/Carlo Colombara/Jaël Azzaretti/Orchestre de l'Opéra National de Lyon/Choeurs de l'Opéra National de Lyon, Evelino Pidò, Orchestre De L'Opéra National De Lyon | B♭ Major | 2 | 6B | 67 BPM |