"Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra)" by George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm was released on January 10, 2011. Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm's "Handel : "Cleopatra" - Giulio Cesare Opera arias" album is number 12 out of 19. Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) by George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | ||
Offertorium | Gabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | D Major | 0 | 10B | 72 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | ||
Madrigal, Op. 35 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Minor | 0 | 7A | 134 BPM | ||
Bach: Cantata "Ich habe genug", BWV 82a: No. 1, Aria "Ich habe genug" (Soprano) | Johann Sebastian Bach, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Minor | 0 | 2A | 136 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Muzio Scevola, HWV 13: Ma come amar? | George Frideric Handel, Sandrine Piau, Gloria Banditelli, Europa Galante, Fabio Biondi | E Minor | 0 | 9A | 94 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 176 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM |