"La fille du régiment / Act 1: L'ennemi s'avance, amis, armons-nous!" by Gaetano Donizetti, Jules Bruyere, Monica Sinclair, Alan Jones, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on January 1, 1968. The duration of La fille du régiment / Act 1: L'ennemi s'avance, amis, armons-nous! is about 3 minutes long, at 3:28. Based on our data, "La fille du régiment / Act 1: L'ennemi s'avance, amis, armons-nous!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 22 in Donizetti: La Fille du Régiment by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Jules Bruyere, Eric Garrett, Spiro Malas, Monica Sinclair, Alan Jones, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, La fille du régiment / Act 1: L'ennemi s'avance, amis, armons-nous!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La fille du régiment / Act 1: L'ennemi s'avance, amis, armons-nous! by Gaetano Donizetti, Jules Bruyere, Monica Sinclair, Alan Jones, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Les Contes d'Hoffmann, Act III, Scene 1: "Elle a fui, la torterelle" | Jacques Offenbach, Sonya Yoncheva, Frederic Chaslin, Orquestra de la Comunitat Valenciana | B♭ Major | 1 | 6B | 175 BPM | ||
Le Comte Ory / Act 1: "Venez amis, retirons-nous" | Gioachino Rossini, Juan Diego Flórez, Marie-Ange Todorovitch, Marina de Liso, Stefania Bonfadelli, Bruno Pratico, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | A Major | 5 | 11B | 128 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Les Pêcheurs de perles: Arrêtez! arrêtez! C'est à moi d'ordonner de leur sort! (Zurga, Fishermen, Villagers, Nourabad, Nadir) | Georges Bizet, Ernest Blanc, Jacques Mars, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | A Major | 2 | 11B | 105 BPM | ||
Lohengrin, WWV 75 / Act I: "Durch Gottes Sieg ist jetzt dein Leben mein" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Cheryl Studer, Waltraud Meier, Hartmut Welker, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 6 | 6B | 92 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
Romeo and Juliette, Act III: Ah! jour de deuil et d'horreur et d'alarmes | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM |