"Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!"" by Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine was released on January 1, 1988. Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" by Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut / Act 2: Che ceffi son costor? ... Sulla vetta tu del monte | Giacomo Puccini, James Levine, Dwayne Croft, Mirella Freni, Cecilia Bartoli, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | B♭ Major | 0 | 6B | 131 BPM | ||
Parsifal / Act 1: "Recht so! Habt Dank! Ein wenig Rast!" - "Gawan! - Herr! Gawan weilte nicht!" | Richard Wagner, José van Dam, Kurt Rydl, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 77 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 3: No. 8, Récitatif et Choral des Epées, (a) "Merci de ta chanson!" (Choeur, Valentin, Wagner, Méphistophélès, Siebel) | Charles Gounod, Thomas Allen, Georges Prêtre, Orchestre de l'Opéra National de Paris | B♭ Major | 2 | 6B | 163 BPM | ||
Der Freischütz, J. 277 / Act 3: Entr'acte | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | D Major | 3 | 10B | 116 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
Bellini: Norma: Act 2: "Mira, o Norma" (Adalgisa, Norma) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | E♭ Major | 0 | 5B | 79 BPM | ||
Der Freischütz, J. 277 / Act III: "Wer legt auf ihn so strengen Bann?" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Franz Crass, Siegfried Vogel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | E♭ Major | 2 | 5B | 70 BPM | ||
La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Puccini: La Rondine, Act 3: "Ma come puoi lasciarmi" (Ruggero, Magda) | Giacomo Puccini, Roberto Alagna, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM |