"Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas"" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine was released on January 1, 1988. Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia (1996 Digital Remaster): Ma signor...ma un dottor ... (Tutti) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 5 | 8B | 118 BPM | ||
Der Freischütz, J. 277 / Act 3: Entr'acte | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | D Major | 3 | 10B | 116 BPM | ||
Mass in C, K.317 "Coronation": 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Delores Ziegler, Hans Peter Blochwitz, Andreas Schmidt, Sigurd Brauns, RIAS Kammerchor, Marcus Creed, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 73 BPM | ||
Die Fledermaus / Act 1: Nr.2 Terzett: "Nein, mit solchen Advokaten" | Johann Strauss II, Julia Varady, Ferry Gruber, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | D Major | 3 | 10B | 85 BPM | ||
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 1 | 8B | 77 BPM | ||
Tristan und Isolde / Act 1: "Auf! Auf! Ihr Frauen!" | Richard Wagner, Margaret Price, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 78 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
Tristan und Isolde / Act 1: "Westwärts schweift der Blick" | Richard Wagner, Margaret Price, Brigitte Fassbaender, Eberhard Büchner, Staatskapelle Dresden, Carlos Kleiber | F Minor | 2 | 4A | 85 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | G Major | 0 | 9B | 104 BPM | ||
Eugene Onegin, Op.24, TH.5 / Act 1: "Kogda bi zhizn domashnim krugom" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Orchestre de Paris, Semyon Bychkov | D Major | 1 | 10B | 80 BPM |