"Miserere in F Minor: Asperges me hyssopo (Soprano)" by Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco Placci was released on January 1, 2000. With Miserere in F Minor: Asperges me hyssopo (Soprano) being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Sarti: Miserere in F Minor". In this album, this song's track order is #6. In terms of popularity, Miserere in F Minor: Asperges me hyssopo (Soprano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Miserere in F Minor: Asperges me hyssopo (Soprano) by Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco Placci having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let the Florid Music Praise | Charlotte Hoather, George Todica | D Major | 2 | 10B | 91 BPM | ||
Stabat Mater, FP 148: II. Cujus animam gementem | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | B♭ Minor | 3 | 3A | 75 BPM | ||
Lucrezia Borgia / Act 2: Il segreto per esser felici | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Richard van Allan, Graham Clark, Lieuwe Visser, Piero de Palma, Graeme Ewer, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Idoménée, Acte IV Scène 1: "Espoir des maleureux" (Ilione) | André Campra, Monique Zanetti, Les Arts Florissants, William Christie | A Major | 1 | 11B | 109 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
Ave Maria sur la Méditation de Thaïs: A tempo "Ave Maria, gratia plena" (Arr. Spindler for Soprano, Choir, Violin Solo and Orchestra) | Jules Massenet, Hera Hyesang Park, Coro del Teatro Carlo Felice, Giovanni Battista Fabris, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
Road Dogg | Ferrara | D Major | 7 | 10B | 134 BPM |