"Idoménée, Acte IV Scène 1: "Espoir des maleureux" (Ilione)" by André Campra, Monique Zanetti, Les Arts Florissants, William Christie was released on March 9, 1992. With this song being about 5 minutes long, at 4:44, "Idoménée, Acte IV Scène 1: "Espoir des maleureux" (Ilione)" by André Campra, Monique Zanetti, Les Arts Florissants, William Christie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 46 in Campra: Idoménée by André Campra, Les Arts Florissants, William Christie. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Idoménée, Acte IV Scène 1: "Espoir des maleureux" (Ilione) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Idoménée, Acte IV Scène 1: "Espoir des maleureux" (Ilione) by André Campra, Monique Zanetti, Les Arts Florissants, William Christie is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tenebre vinte (Coro) | Andrea Bernasconi, Dorothee Oberlinger, Ensemble 1700 | F♯ Major | 2 | 2B | 144 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act III. Symphony While the Swans Come Forward | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM | ||
Vespro della Beata Vergine, SV 206: III. Concerto "Nigra sum" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Collegium Vocale Gent | A Minor | 0 | 8A | 172 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 32, Dir, dir Jehova, will ich singen, BWV 452 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Purcell: The Fairy Queen, Z. 629: Second Music. Air | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
O Bone Jesu | ensemble tresonare | D Minor | 1 | 7A | 106 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Laudate Pueri: I. Laudate Pueri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM |