"Messe pour le sacre de Napoléon: III. Gloria, Laudamus te" by Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin was released on March 31, 2023. With Messe pour le sacre de Napoléon: III. Gloria, Laudamus te being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Le Concert de la Loge, Chœur De Chambre De Namur, Julien Chauvin's "Mozart: Requiem - Paisiello: Messe pour le sacre de Napoléon" album is number 12 out of 24. On top of that, France appears to be the country where this track was created. Messe pour le sacre de Napoléon: III. Gloria, Laudamus te is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe pour le sacre de Napoléon: III. Gloria, Laudamus te by Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
L'homme et son désir, Op. 48: VIII. La lune I a disparu la premiere, la lune II disparait a son tour... | Darius Milhaud, Tomoko Makuuchi, Jian Zhao, Mathias Vidal, Bernard Deletré, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 1 | 3A | 150 BPM | ||
Part 1: No. 4a Recitativo Serpina-Urberto - Benissimo | Giovanni Paisiello | A Major | 1 | 11B | 84 BPM | ||
The Abduction from the Seraglio, K.384: Act II, Aria: "Tortures Unrelenting" | Rundfunkorchester des Südwestfunks Baden-Baden | C Major | 2 | 8B | 113 BPM | ||
H.M.S. Pinafore / Act 2: The hours creep on apace | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | C Minor | 1 | 5A | 74 BPM | ||
Idoménée, Acte IV Scène 1: "Espoir des maleureux" (Ilione) | André Campra, Monique Zanetti, Les Arts Florissants, William Christie | A Major | 1 | 11B | 109 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
Armida, Atto primo Scena 3: Vieni al fonte del contento (Coro, Ismene) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Chœur De Chambre De Namur | A Major | 2 | 11B | 106 BPM | ||
Le Carnaval du Parnasse, Act III Scene 5: Duo. L’amour m’enflamme (Apollon, Licoris) | Jean-Joseph Cassanéa De Mondonville, Mathias Vidal, Hélène Guilmette, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D♭ Minor | 3 | 12A | 131 BPM | ||
L'italiana in Algeri: Atto I. Cavatina. Cruda sorte! | Gioachino Rossini, Vasilisa Berzhanskaya, La Cetra Vokalensemble Basel, Orchestra Of The 18th Century, Giancarlo Andretta | F Major | 2 | 7B | 131 BPM |