Giovanni Paisiello's 'Part 1: No. 4a Recitativo Serpina-Urberto - Benissimo' came out on 1997. With Part 1: No. 4a Recitativo Serpina-Urberto - Benissimo being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Paisiello: La Serva Padrona". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Part 1: No. 4a Recitativo Serpina-Urberto - Benissimo is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Part 1: No. 4a Recitativo Serpina-Urberto - Benissimo by Giovanni Paisiello having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7b: Act II Scene 4: Aria: Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Minor | 5 | 7A | 155 BPM | ||
Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie | Ludwig van Beethoven, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Elizabeth Wilcock, Alastair Ross, The Monteverdi Choir | D Major | 1 | 10B | 79 BPM | ||
Der Fischer und das Milchmädchen: III. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Clarinet Concerto in E-Flat Major, Op. 36: II. Adagio | Franz Krommer, Kalman Berkes, Nicolaus Esterhazy Sinfonia | C Minor | 0 | 5A | 86 BPM | ||
La Fiera di Venezia / Act 3: Vi sono sposa e amante | Antonio Salieri, Cecilia Bartoli, Rachel Brown, Anthony Robson, Orchestra of the Age of Enlightenment, Ádám Fischer | C Major | 3 | 8B | 130 BPM | ||
Piano Concerto No. 4 in G Minor: III. (Rondo): Allegretto | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | G Minor | 2 | 6A | 112 BPM | ||
Harp Concerto in A major: 1. Allegro molto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 122 BPM | ||
Symphony No. 51 in D Major: I. Allegro | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 1 | 10B | 77 BPM |