"Misatango, Misa a Buenos Aires: VII. Et incarnatus est" by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra was released on January 6, 2017. With Misatango, Misa a Buenos Aires: VII. Et incarnatus est being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Palmeri: Misatango, Misa a Buenos Aires". In this album, this song's track order is #7. Misatango, Misa a Buenos Aires: VII. Et incarnatus est is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Misatango, Misa a Buenos Aires: VII. Et incarnatus est by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tarik Benouarka-Days and Nights Of The Heart Tree-02-The Other World | Tarik Benouarka, Racha Rizk/Ragaa Eldin, Orchestre Pasdeloup | C Major | 1 | 8B | 88 BPM | ||
Haugtussa, Op. 67: VIII. Ved gjaetle-bekken | Charlotte Hoather, George Todica | B Minor | 2 | 10A | 132 BPM | ||
Otello: Ave Maria, piena di grazia | Giuseppe Verdi, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Dido and Aeneas, Z. 626, Act III: When I am laid | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | F♯ Minor | 2 | 11A | 94 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3b. Ound'onoren Gorda? (Where Shall We Go?)) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 98 BPM | ||
Une journée: II. Le lever du soleil (Musique) | Martial Caillebotte, Michel Piquemal, Choeur régional Vittoria d'Île-de-France, Orchestre Pasdeloup | E♭ Major | 1 | 5B | 89 BPM | ||
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Restless Oceans | Anna Clyne, Kanako Abe, Orchestre Pasdeloup | A Minor | 2 | 8A | 121 BPM | ||
Credo, R.592: 2. Adagio: Et incarnatus est | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers | A Major | 1 | 11B | 80 BPM | ||
Handel: The Choice of Hercules, HWV 69: "Yet, Can I Hear That Dulcet Lay" (Hercules) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies | D Minor | 0 | 7A | 103 BPM |