"Haugtussa, Op. 67: VIII. Ved gjaetle-bekken" by Charlotte Hoather, George Todica was released on April 11, 2017. Haugtussa, Op. 67: VIII. Ved gjaetle-bekken is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in Charlotte Hoather, George Todica's "Haugtussa" album is number 8 out of 8. Based on our statistics, Haugtussa, Op. 67: VIII. Ved gjaetle-bekken's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haugtussa, Op. 67: VIII. Ved gjaetle-bekken by Charlotte Hoather, George Todica to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, Johann II: Die Fledermaus, Act 1: "Ach, ich darf nicht hin zu dir! (Adele, Rosalinde, Alfred) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | ||
Andante spianato and Grande polonaise brillante, Op. 22 | George Todica | E♭ Major | 2 | 5B | 115 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | ||
Two Love Songs, Op. 30: Love My Heart Longs Day and Night | Darius Milhaud, Jodie Devos, Nicolas Krüger | G Major | 0 | 9B | 82 BPM | ||
6 Gesänge, Op. 3: No. 2, Liebe und Frühling I | Johannes Brahms, Juliane Banse, Andreas Schmidt, Helmut Deutsch | B Major | 1 | 1B | 77 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | F♯ Major | 1 | 2B | 89 BPM | ||
Sim Shalom | Cheri Rose Katz | C Minor | 2 | 5A | 81 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
Opus 2: V. Killebukken | Rikard Nordraak, Bjørnstjerne Bjørnson, Helene Wold, Eugene Asti | C Major | 0 | 8B | 77 BPM | ||
Akt I: Titurel, der fromme Held | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM |