"Akt I: Titurel, der fromme Held" by Richard Wagner, Georg Zeppenfeld, Philippe Jordan was released on March 1, 2024. Since Akt I: Titurel, der fromme Held is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Jonas Kaufmann. The song's track number on the album is #6 out of 43 tracks. Based on our data, United States was the country where this track was produced or recorded. Akt I: Titurel, der fromme Held is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Akt I: Titurel, der fromme Held by Richard Wagner, Georg Zeppenfeld, Philippe Jordan has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Akt I: Titurel, der fromme Held being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bartered Bride: ACT II, Mařenka Známť já jednu dívčinu | Bedřich Smetana, Dana Buresova, BBC Symphony Orchestra, Jiří Bělohlávek | A Major | 1 | 11B | 182 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: "Je baryňa doma?" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Pavlo Hunka, Claire Barnett-Jones, Ladislav Elgr, Simon O'Neill | D♭ Minor | 1 | 12A | 70 BPM | ||
Die Fledermaus: Act II: Finale: Herr Chevalier, ich grusse Sie (Eisenstein, Frank) | Johann Strauss II, Paul Armin Edelmann, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | A♭ Major | 1 | 4B | 69 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 4, Wasserrose | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
4. Fare thee well, attractive stranger | Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
The Bartered Bride: ACT II, Scene 3. Mařenka Vy jste zajisté ženich Krušinovy Mařenky? | Bedřich Smetana, Dana Buresova, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 1 | 7B | 129 BPM | ||
Kapitel 6 - Hänsel und Gretel | Oper für die Kleinsten, Engelbert Humperdinck, Marina Mehlinger, Manja Kloss, Luca Zamperoni, Hans Henrik Wöhler | B♭ Major | 0 | 6B | 72 BPM | ||
Lohengrin, WWV 75 / Act II: "Gesegnet soll sie schreiten" | Richard Wagner, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 80 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): I. C'est l'extase langoureuse | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM |