"Messa di Gloria: XI. Et incarnatus" by Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català was released on April 14, 2023. The duration of Messa di Gloria: XI. Et incarnatus is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Messa di Gloria: XI. Et incarnatus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Puccini: Messa di gloria & Orchestral Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Messa di Gloria: XI. Et incarnatus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Gloria: XI. Et incarnatus by Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frau Luna: Schlösser,die im Monde liegen (Bolten-Baeckers) | Paul Lincke, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM | ||
Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
Puts: The Hours, Act 1: "Missus Dalloway Said She Would Buy the Flowers Herself" (Laura, Virginia, Chorus, Dan, Richie) [Live] | Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A♭ Minor | 1 | 1A | 113 BPM | ||
Madama Butterfly, Act II: Un bel dì vedremo | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Armenian Songs: Mankakan aghotq - Hayr Mer - Children's Prayer - Our Father | Komitas, Hasmik Papian, Vardan Mamikonian | D Major | 0 | 10B | 76 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Ach! Pani Marto, mówcie szczerze (Chór/Marta/Grzes) | Stanisław Moniuszko, Chorus And Orchestra Of The Polish National Opera Warsaw, Jacek Kaspszyk | C Major | 2 | 8B | 109 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM |