"The Bartered Bride: ACT II, Scene 3. Mařenka Vy jste zajisté ženich Krušinovy Mařenky?" by Bedřich Smetana, Dana Buresova, BBC Symphony Orchestra, Jiří Bělohlávek had its release date on September 11, 2012. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 41 in Bedřich Smetana: The Bartered Bride by Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek. Based on our statistics, The Bartered Bride: ACT II, Scene 3. Mařenka Vy jste zajisté ženich Krušinovy Mařenky?'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Bartered Bride: ACT II, Scene 3. Mařenka Vy jste zajisté ženich Krušinovy Mařenky? by Bedřich Smetana, Dana Buresova, BBC Symphony Orchestra, Jiří Bělohlávek is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
The Brandenburgers in Bohemia | Bedřich Smetana, Karel Kalas, Jiří Joran, Ivo Zidek, Prague National Theatre Chorus, Prague National Theatre Orchestra, Milan Malý, Jan Hus Tichý | B♭ Major | 3 | 6B | 147 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
The Bartered Bride: ACT I, Scene 4. Krušina, Ludmila, Kecal Tu ji máme | Bedřich Smetana, Svatopluk Sem, Stanislava Jirku, Jozef Benci, Jiří Bělohlávek, BBC Symphony Orchestra | F Major | 1 | 7B | 61 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM |