"4. Fare thee well, attractive stranger" by Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey was released on January 1, 1960. With 4. Fare thee well, attractive stranger being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: Iolanthe" album is number 5 out of 28. On top of that, United Kingdom appears to be the country where this track was created. 4. Fare thee well, attractive stranger is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 4. Fare thee well, attractive stranger by Arthur Sullivan, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | B♭ Major | 2 | 6B | 80 BPM | ||
Gounod : Faust : Act 1 "O sainte médaille" [Valentin, Wagner, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D♭ Major | 0 | 3B | 92 BPM | ||
The Mikado: Act I: Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Chorus of Girls) | Isidore Godfrey | C Major | 2 | 8B | 122 BPM | ||
Doña Francisquita, Act II: Scène y Cofradía de la Bulla (Aurora, Torero, Maja, Miliciano, Mamá, Niñas 1 y 2, Jornalero, su Mujer, Chico, Aguadora, Dependientes 1, 2 y 3, Naranjera, Cofrades 1, 2 y 3, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Raquel Pierotti, Juan Enrique SIMO PÉREZ, Beatriz Gonzalez Ramos, José Luis Alonso ROMERO, María Luisa Maesso, Marisa Gonzalez Gonzalez, Natalia Gonzalez Rivero, José Miguel PÉREZ ROMERO, Sandra RAMOS, Esther Alfonso DA COSTA, Montse PÉREZ RIVERO, Emilio Sanchez, María Dolores Coello, José Manzaneda | E Major | 2 | 12B | 120 BPM | ||
"Tower warders under orders" | Arthur Sullivan, Thomas Lawlor, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | C Major | 2 | 8B | 80 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Forkladd gud, Op. 24: Vad faller over traden for silverglans | Lars-Erik Larsson, Elisabeth Söderström, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | B Minor | 2 | 10A | 89 BPM | ||
Faust: Faites-lui mes aveux | Charles Gounod, Joyce DiDonato, Kazushi Ono, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 82 BPM | ||
The Magic Flute, Act II: Pa-pa-ge-na!' - 'Pa-pa-ge-no! | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Leslie Garrett | C Major | 1 | 8B | 78 BPM | ||
歌曲集《シェエラザード》: 第2曲: 魔法の笛 | Maurice Ravel, スーザン・グラハム, Saito Kinen Orchestra, Seiji Ozawa | F♯ Minor | 0 | 11A | 66 BPM |