"Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus]" by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra was released on April 28, 1994. The duration of Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus] is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, Carlo Rizzi, Orchestra of the Welsh National Opera's "Gounod : Faust" album is number 13 out of 64. Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod : Faust : Act 1 "De l'enfer qui vient émousser" [Siébel, Valentin, Wagner, Chorus] by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova | D Major | 0 | 10B | 80 BPM | ||
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM |