Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra's 'Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso' came out on January 1, 2009. The duration of Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Various Artists's "Most Relaxing Mendelssohn" album is number 2 out of 19. On top of that, United States appears to be the country where this track was created. Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso by Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly, Op.97: 3. Youth (Romance) | Dmitri Shostakovich, Alexander Kerr, Concertgebouworkest, Riccardo Chailly | C Major | 0 | 8B | 59 BPM | ||
Debussy: Rêverie, CD 76, L. 68 | Claude Debussy, Aldo Ciccolini | F Major | 0 | 7B | 76 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Carmen, Act III, Entr'acte, Carmen: Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Alexander Markov, Eduardo Fernandez | D Major | 1 | 10B | 92 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |