"Carmen, Act III, Entr'acte, Carmen: Carmen: Entr'acte to Act III (arr. for flute and harp)" by Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman was released on June 1, 1998. The duration of Carmen, Act III, Entr'acte, Carmen: Carmen: Entr'acte to Act III (arr. for flute and harp) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Carmen, Act III, Entr'acte, Carmen: Carmen: Entr'acte to Act III (arr. for flute and harp)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 19 in Dance Of The Blessed Spirits by Donald Sosin, Nora Shulman, Judy Loman. Carmen, Act III, Entr'acte, Carmen: Carmen: Entr'acte to Act III (arr. for flute and harp) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, Act III, Entr'acte, Carmen: Carmen: Entr'acte to Act III (arr. for flute and harp) by Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frühlingslied ("Spring Song") | Felix Mendelssohn, Philippa Davies, Thelma Owen | F Major | 1 | 7B | 83 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning | Donald Sosin, Edvard Grieg, Nora Shulman, Judy Loman | E Major | 0 | 12B | 66 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Le docteur Miracle: Scene 12: Quatuor final: Mon enfant, si tu m'aimes bien (Le Podestat, Veronique, Laurette, Silvio) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Major | 1 | 7B | 83 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Suite in A Major, Op. 98: I. Moderato - Più mosso | Antonín Dvořák, Xavier De Maistre | A Major | 0 | 11B | 103 BPM | ||
Sicilienne pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | D Minor | 0 | 7A | 70 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM |