"Peer Gynt Suite No. 1, Op. 46: Morning Mood" by London Philharmonic Orchestra was released on May 24, 2011. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Greatest Relaxing Pieces". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Peer Gynt Suite No. 1, Op. 46: Morning Mood's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peer Gynt Suite No. 1, Op. 46: Morning Mood by London Philharmonic Orchestra having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa | Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 96 BPM | ||
Toccata and Fugue in d monor, BWV 565 | London Pops Orchestra, Nelson Corbin | D Minor | 2 | 7A | 68 BPM | ||
Méditation | Jules Massenet, James Galway, David Measham, National Philharmonic Orchestra | D Major | 2 | 10B | 167 BPM | ||
Scheherazade - Symphonic Suite Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sir Thomas Beecham, Takuo Yuasa, London Philharmonic Orchestra | G Major | 0 | 9B | 102 BPM | ||
Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo | Slovak Philharmonic, Antonín Dvořák | D♭ Major | 0 | 3B | 77 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
Eternity | London Philharmonic Orchestra, Ian Mulder | C Major | 1 | 8B | 87 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, James Galway, London Mozart Players | F♯ Minor | 1 | 11A | 75 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
The Planets Suite, Op. 32: II. Venus | Gustav Holst, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Neville Creed | A♭ Major | 0 | 4B | 133 BPM |