"L'homme et son désir, Op. 48: VIII. La lune I a disparu la premiere, la lune II disparait a son tour..." by Darius Milhaud, Tomoko Makuuchi, Jian Zhao, Mathias Vidal, Bernard Deletré, Orchestre National de Lille, Jean-Claude Casadesus was released on June 1, 2005. With L'homme et son désir, Op. 48: VIII. La lune I a disparu la premiere, la lune II disparait a son tour... being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Darius Milhaud, Jean-Claude Casadesus's "Milhaud: La Creation Du Monde / Le Boeuf Sur Le Toit / Suite Provencale" album is number 18 out of 18. Based on our statistics, L'homme et son désir, Op. 48: VIII. La lune I a disparu la premiere, la lune II disparait a son tour...'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'homme et son désir, Op. 48: VIII. La lune I a disparu la premiere, la lune II disparait a son tour... by Darius Milhaud, Tomoko Makuuchi, Jian Zhao, Mathias Vidal, Bernard Deletré, Orchestre National de Lille, Jean-Claude Casadesus to be Allegro (fast, quick, and bright) because the track has a tempo of 150 テンポ, a half-time of 75テンポ, and a double-time of 300 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
Variations on an Original Theme Enigma, Op. 36: III. Variation II - H. D. S. - P. | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | D Major | 3 | 10B | 156 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Debussy: Première rapsodie in B-Flat Major, CD 124, L. 116 (Orchestral Version) | Claude Debussy, Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 113 BPM | ||
Poulenc: Sextet for Piano & Winds, Op. 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM |