Orchestra of the Viennese Volksoper & Alfred Scholz's 'Pizzicato Polka, Op. 214' came out on January 1, 2009. The duration of Pizzicato Polka, Op. 214 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Pizzicato Polka, Op. 214's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orchestra of the Viennese Volksoper & Alfred Scholz's "Great Strauss Waltzes, Polkas & Marches: Alfred Scholz & The Viennese Folk Opera Orchestra" album is number 11 out of 21. On top of that, United States appears to be the country where this track was created. Pizzicato Polka, Op. 214 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pizzicato Polka, Op. 214 by Orchestra of the Viennese Volksoper & Alfred Scholz to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ball Scene | Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme Järvi | B Major | 3 | 1B | 116 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM | ||
Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Concerto For Violin And Strings in E, Op. 8, No. 1, RV 269 "La Primavera": 1. Allegro | Antonio Vivaldi, Federico Agostini, I Musici | F Major | 1 | 7B | 92 BPM | ||
Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
Caballeria Ligera - Obertura | Franz von Suppé, Inma Shara | G Major | 5 | 9B | 115 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber | C Minor | 3 | 5A | 96 BPM | ||
Menuet No. 5, Op. 11 | The Jane Austen Era | A Major | 1 | 11B | 105 BPM |