On July 8, 1999, the song "Gaite Parisienne (after J. Offenbach): 6. Allegro" was released by Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra. With Gaite Parisienne (after J. Offenbach): 6. Allegro being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Offenbach / Rosenthal: Gaite Parisienne / Offenbachiana". In this album, this song's track order is #7. Based on our statistics, Gaite Parisienne (after J. Offenbach): 6. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Gaite Parisienne (after J. Offenbach): 6. Allegro by Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra having a テンポ of 144 with a half-time of 72 テンポ and a double-time of 288 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amarcord | Orchestre de la Suisse Romande | F Major | 1 | 7B | 71 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Lakmé / Act 2: Lakmé, ton doux regard se voile | Léo Delibes, Gabriel Bacquier, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | A♭ Major | 2 | 4B | 89 BPM | ||
Giselle / Act 1: Pas de deux des jeunes paysans (Valse) | Adolphe Adam, Franz Burgmüller, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 0 | 1B | 127 BPM | ||
Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
Who Cares?: Stairway to Paradise | George Gerschwin, Kay Hershy, Monte-Carlo Philharmonic Orchestra, David Garforth | C Minor | 1 | 5A | 136 BPM | ||
Habanera | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | A Major | 0 | 11B | 80 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Sir Thomas Beecham, French National Radio Orchestra | A Major | 2 | 11B | 74 BPM | ||
Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM |