"Gaite Parisienne (after J. Offenbach): 23. Barcarolle" by Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra was released on July 8, 1999. With this song being about 5 minutes long, at 4:34, "Gaite Parisienne (after J. Offenbach): 23. Barcarolle" by Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "Offenbach / Rosenthal: Gaite Parisienne / Offenbachiana". In this album, this song's track order is #24. In terms of popularity, Gaite Parisienne (after J. Offenbach): 23. Barcarolle is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gaite Parisienne (after J. Offenbach): 23. Barcarolle by Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 2: Lakmé! Lakmé! C'est toi! | Léo Delibes, Alain Vanzo, Dame Joan Sutherland, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | A♭ Major | 1 | 4B | 169 BPM | ||
Il Signor Bruschino: Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | A Major | 3 | 11B | 125 BPM | ||
España: Espana | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | F Major | 3 | 7B | 117 BPM | ||
Lakmé / Act 2: La rage me dévore | Léo Delibes, Gabriel Bacquier, Dame Joan Sutherland, Alain Vanzo, Claude Cales, Monte Carlo Opera Choir, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | G Major | 1 | 9B | 75 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Alexandre Lagoya, Orchestre National de l'Opéra de Monte-Carlo, Antonio de Almeida | B Minor | 1 | 10A | 107 BPM | ||
Wesendonck-Lieder, WWV 91: 5. Träume (Arr. For Cello And Orchestra By Mathieu Herzog) | Richard Wagner, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | A♭ Major | 1 | 4B | 82 BPM | ||
Symphony in C: Adagio | Georges Bizet, Paavo Järvi, Orchestre de Paris | A Minor | 0 | 8A | 125 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM |