"Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio" by Joaquín Rodrigo, Alexandre Lagoya, Orchestre National de l'Opéra de Monte-Carlo, Antonio de Almeida was released on January 1, 1987. Since Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rodrigo: Concierto de Aranjuez; Fantasía para un gentilhombre; Concierto serenata". In this album, this song's track order is #2. In terms of popularity, Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio by Joaquín Rodrigo, Alexandre Lagoya, Orchestre National de l'Opéra de Monte-Carlo, Antonio de Almeida having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Asturias (Leyenda) | Isaac Albéniz, Pablo Sainz Villegas | C Major | 3 | 8B | 104 BPM | ||
Concierto madrigal (excerpts): Arietta: Andante nostalgico | Joaquín Rodrigo, Joaquin Clerch, Ricardo Gallén, Asturias Symphony Orchestra, Maximiano Valdes | D Major | 1 | 10B | 128 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Harp Concerto in C Major, Op. 6, No. 1: II. Andantino poco allegretto | Ernst Eichner, Silke Aichhorn, Kurpfälzisches Kammerorchester, Stefan Fraas | F Major | 0 | 7B | 133 BPM | ||
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen | Robert Schumann, Vladimir Horowitz | G Major | 0 | 9B | 70 BPM | ||
Salut d'Amour, Op. 12 | Edward Elgar, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 73 BPM |