Robert Schumann, Vladimir Horowitz's 'Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen' came out on 1962. With Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Schumann: Kinderszenen; Arabesque; Fantasie; Träumerei". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen by Robert Schumann, Vladimir Horowitz having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
Humoresque, Op. 101, No. 7 | Antonín Dvořák, Kim Dami | F♯ Major | 1 | 2B | 83 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM |