Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov's 'Ruslan and Ludmila: Overture' came out on January 1, 1990. With this song being about 5 minutes long, at 5:05, "Ruslan and Ludmila: Overture" by Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mikhail Glinka, Yevgeny Svetlanov, USSR Symphony Orchestra, The USSR Bolshoy Theatre Orchestra's "Glinka: The Music to Operas Ivan Susanin and Ruslan and Ludmila" album is number 5 out of 11. Ruslan and Ludmila: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ruslan and Ludmila: Overture by Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Fugen for Piano . Fugue in E Flat Major | Mikhail Glinka, Jonny Pasos | D Minor | 5 | 7A | 107 BPM | ||
Gayaneh, Ballet Suite: Armen's Var | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | F♯ Minor | 2 | 11A | 135 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
The Lark | Mili Alexejewitsch Balakirew Michail Iwanowitsch Glinka, Mily Balakirev, Mikhail Glinka, Petvier | B♭ Minor | 0 | 3A | 63 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Pas De Quatre | Mikhail Glinka, Classical Hits, Schola Camerata | D Major | 6 | 10B | 81 BPM |