Franz von Suppé, Inma Shara's 'Caballeria Ligera - Obertura' came out on November 15, 2011. With Caballeria Ligera - Obertura being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Inma Shara's "La Isla De Los Sonidos: La Ciudad Sin Luz" album is number 13 out of 13. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Caballeria Ligera - Obertura is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Caballeria Ligera - Obertura by Franz von Suppé, Inma Shara to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
Minueto en Sol Mayor, BWV Anh. 114 | Christian Petzold, Pablo Cano | F♯ Major | 3 | 2B | 131 BPM | ||
Suite para Orquesta No. 3 en Re Mayor, BWV. 1068: Aria en la Cuerda de Sol | Cacho Tirao | D Major | 3 | 10B | 101 BPM | ||
Ondas del Danubio | Orquesta Concierto de Viena | A Minor | 2 | 8A | 176 BPM | ||
Eva | Orquesta Filarmonica de Rumania | D Major | 6 | 10B | 115 BPM | ||
Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
El Barbero de Sevilla: "Introducción" | Manuel Ausensi, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov | E Major | 2 | 12B | 95 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Paavo Järvi, Orchestre Philharmonique de Radio France | C Minor | 2 | 5A | 179 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM |