"Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio" by Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber was released on 1953. Since Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 4 in Beethoven: Symphony No. 5 in C Minor by Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio by Ludwig van Beethoven, Royal Concertgebouw Orchestra, Erich Kleiber is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Bernard Haitink | E Minor | 2 | 9A | 96 BPM | ||
Solomon, HWV 67, Act III: No. 42 Symphony: Arrival of the Queen of Sheba | George Frideric Handel, Daniel Reuss, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 106 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 103 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | E♭ Major | 2 | 5B | 118 BPM | ||
Bruckner: Symphony No. 1 in C Minor, WAB101: IV. Finale. Bewegt, feurig | Anton Bruckner, Bernard Haitink, Royal Concertgebouw Orchestra | G Minor | 2 | 6A | 133 BPM | ||
Symphony No.5 in C minor, Op.67: 4. Allegro | Ludwig van Beethoven, Concertgebouworkest, George Szell | C Major | 3 | 8B | 86 BPM | ||
Piano Trio No. 1, Op. 99 D898: IV. Rondo (Allegro vivace) | Franz Schubert, Trio Wanderer | B♭ Major | 1 | 6B | 90 BPM |