"La forza del destino, Act 4: "Pace, pace, mio Dio"" by Birgit Nilsson was released on July 5, 2011. Since La forza del destino, Act 4: "Pace, pace, mio Dio" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. In terms of popularity, La forza del destino, Act 4: "Pace, pace, mio Dio" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La forza del destino, Act 4: "Pace, pace, mio Dio" by Birgit Nilsson is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM | ||
Der fliegende Holländer, WWV 63 / Act 1: "Hojoje! Hallojo! Ho!...Kein Zweifel! Sieben Meilen" | Richard Wagner, Martti Talvela, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 75 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 2: Entr'acte and Waltz with Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Herve Hennequin, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | D Major | 2 | 10B | 113 BPM | ||
Vier Letzte Lieder (Four Last Songs), Av 150: Iv Im Abendrot (Evening) | Birgit Nilsson | F Major | 1 | 7B | 87 BPM | ||
Parsifal, WWV 111 / Act III: Ja, Wehe! Wehe! Weh' über mich! | Richard Wagner, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 0 | 8B | 166 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 59 BPM | ||
La favorite, A. 58, Act I Scenes 1 & 2: Pieux monastère ! - Ne vas-tu pas prier avec eux ? | Gaetano Donizetti, Evgeny Stavinsky, Javier Camarena, Donizetti Opera Choir, Coro dell'Accademia Teatro alla Scala, Donizetti Opera Orchestra, Riccardo Frizza | B♭ Minor | 1 | 3A | 76 BPM | ||
Rusalka, Op. 114 / Act 1: Sem casto prichazi a v objeti mé stoupá | Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 2 | 7B | 176 BPM | ||
Sköldmön (The Amazon) | Birgit Nilsson, Geoffrey Parsons | F Major | 1 | 7B | 87 BPM |