Birgit Nilsson, Geoffrey Parsons's 'Sköldmön (The Amazon)' came out on March 3, 1953. The duration of Sköldmön (The Amazon) is about 3 minutes long, at 3:06. Based on our data, "Sköldmön (The Amazon)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Sköldmön (The Amazon) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sköldmön (The Amazon) by Birgit Nilsson, Geoffrey Parsons having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elektra, Op.58, TrV 223: "Wenn das rechte Blutopfer unterm Beile fällt" | Richard Strauss, Birgit Nilsson, Regina Resnik, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 2 | 5B | 89 BPM | ||
Der Freischütz, J. 277 / Act 3: "Schaut, o schaut! Er traf die eigne Braut!" | Carl Maria von Weber, Gundula Janowitz, Edith Mathis, Peter Schreier, Bernd Weikl, Siegfried Vogel, Theo Adam, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 174 BPM | ||
Sibelius: "Säv, säv, susa" (Sigh, Rushes, Sigh) Op.36 No.4 | Birgit Nilsson | A♭ Major | 1 | 4B | 85 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Wagner: Tristan und Isolde, Act 1: "Westwärts schweift der Blick" (Isolde, Brangäne, A young sailor) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek, Uwe Heilmann, Waltraud Meier | D Major | 4 | 10B | 103 BPM | ||
Grieg: "Mens jeg venter" (On the Water) Op.60 No.3 | Birgit Nilsson | G Major | 0 | 9B | 86 BPM | ||
Carmen / Act 3: Choeur: "A dos cuartos!" | Georges Bizet, Anne-Marie Tostain, Michel Marinpouille, Alain Pilard, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | F Minor | 4 | 4A | 103 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Verdi: Aida, Act 1: "Vieni, o diletta, appressati" (Amneris, Aida, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | E Minor | 2 | 9A | 68 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM |