Georges Bizet, Anne-Marie Tostain, Michel Marinpouille, Alain Pilard, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris made "Carmen / Act 3: Choeur: "A dos cuartos!"" available on January 1, 1983. The duration of Carmen / Act 3: Choeur: "A dos cuartos!" is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Carmen / Act 3: Choeur: "A dos cuartos!"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 55 in Bizet: Carmen by Georges Bizet, Agnes Baltsa, José Carreras, José van Dam, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen / Act 3: Choeur: "A dos cuartos!" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen / Act 3: Choeur: "A dos cuartos!" by Georges Bizet, Anne-Marie Tostain, Michel Marinpouille, Alain Pilard, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris is Andante (at a walking pace), since this song has a tempo of 103 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In D / 1. Satz: Ploetzlich bedeutend langsamer (Lento) und leise | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 78 BPM | ||
Die Walküre, WWV 86B / Act I: "Siegmund, den Wälsung, siehst du, Weib!" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | C Major | 4 | 8B | 86 BPM | ||
Verdi: Messa da Requiem: II. Sequence, 8. Ingemisco (Tenor) | Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker | C Minor | 1 | 5A | 172 BPM | ||
Wagner: Tristan und Isolde, Act 1: "Tristan!... Isolde!" (Isolde, Tristan, Brangäne, Kurwenal, Chorus) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Chor Der Staatsoper Berlin, Falk Struckmann, Marjana Lipovsek, Siegfried Jerusalem, Waltraud Meier | D Major | 1 | 10B | 94 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
Carmen (1997 - Remaster), Act II: Vivat! vivat le Toréro! | Georges Bizet, Jacques Mars/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 3 | 8B | 114 BPM | ||
Don Pasquale, Act I Quinta Scena: Vado, corro (Norina/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 141 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Les Pêcheurs de perles: Le ciel est bleu! (Fishermen, Nourabad, Nadir) | Georges Bizet, Jacques Mars, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | F Major | 1 | 7B | 86 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM |