Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra made "Don Pasquale, Act I Quinta Scena: Vado, corro (Norina/Malatesta)" available on 1984. The duration of Don Pasquale, Act I Quinta Scena: Vado, corro (Norina/Malatesta) is about 3 minutes long, at 3:26. Based on our data, "Don Pasquale, Act I Quinta Scena: Vado, corro (Norina/Malatesta)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 45 in Donizetti: Don Pasquale by Gaetano Donizetti, Riccardo Muti. Based on our statistics, Don Pasquale, Act I Quinta Scena: Vado, corro (Norina/Malatesta)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Don Pasquale, Act I Quinta Scena: Vado, corro (Norina/Malatesta) by Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 141 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act I: "Che vuol dire codesta suonata?" | Gaetano Donizetti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 118 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Verdi: La forza del destino, Act 4 Scene 6: No. 17, Melodia, "Pace, pace, mio Dio!" (Leonora) | Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano | B♭ Minor | 1 | 3A | 82 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM | ||
Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 2 | 11B | 107 BPM | ||
La Cenerentola / Act 1: Signore, una parola...Qui nel mio codice...Nel volto | Gioachino Rossini, Cecilia Bartoli, Enzo Dara, Alessandro Corbelli, William Matteuzzi, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | ||
Les Pêcheurs de perles: Qu'ai-je vu? (Zurga, Leïla) | Georges Bizet, Ernest Blanc/Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 0 | 10B | 88 BPM | ||
In questa tomba oscura, WoO.133 | Ludwig van Beethoven, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D♭ Major | 1 | 3B | 88 BPM | ||
Mattinata (Orch. Faris) | Ruggero Leoncavallo, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | E Major | 3 | 12B | 79 BPM |