"Der Rosenkavalier, Op. 59 / Act 1: Introduction" by Richard Strauss, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1984. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "R. Strauss: Der Rosenkavalier". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Der Rosenkavalier, Op. 59 / Act 1: Introduction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59 / Act 1: Introduction by Richard Strauss, Wiener Philharmoniker, Herbert von Karajan having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30, TrV 176: 1. Einleitung (Sonnenaufgang) - Live | Richard Strauss, Lucerne Festival Orchestra, Riccardo Chailly | C Major | 2 | 8B | 145 BPM | ||
Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | D♭ Major | 0 | 3B | 85 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Salome, Op. 54 / Scene 1: "Nach mir wird Einer kommen" | Richard Strauss, Marianne Rorholm, Clemens Bieber, Bryn Terfel, Bengt Rundgren, William Murray, Klaus Lang, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 0 | 9B | 82 BPM | ||
Feuersnot, Op. 50, TrV 203: Love Scene | Richard Strauss, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 1 | 5B | 131 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 120 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
3 Hymnen von Friedrich Holderlin, Op. 71, TrV 240: No. 1. Hymne an die Liebe | Richard Strauss, Soile Isokoski, Helsinki Philharmonic Orchestra, Okko Kamu | D Minor | 1 | 7A | 144 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM |