Birgit Nilsson's 'Vier Letzte Lieder (Four Last Songs), Av 150: Iv Im Abendrot (Evening)' came out on March 3, 1953. Since Vier Letzte Lieder (Four Last Songs), Av 150: Iv Im Abendrot (Evening) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 41 in the song's album "Presenting Birgit Nilsson". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Germany. Vier Letzte Lieder (Four Last Songs), Av 150: Iv Im Abendrot (Evening) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Vier Letzte Lieder (Four Last Songs), Av 150: Iv Im Abendrot (Evening) by Birgit Nilsson having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome, Op. 54, TrV 215 / Scene 3: "Wo ist er, dessen Sündenbecher jetzt voll ist?" | Richard Strauss, Birgit Nilsson, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E Minor | 3 | 9A | 89 BPM | ||
Gounod : Faust : Act 1 "A moi les plaisirs" [Faust, Méphistophélès] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E Major | 1 | 12B | 89 BPM | ||
La Traviata / Act 2: "Un dì, quando le veneri" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 85 BPM | ||
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
Les Pêcheurs de perles: Me voilà seule dans la nuit (Leïla) | Georges Bizet, Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 65 BPM | ||
Les Contes d'Hoffmann / Act 2: "Voici les valseurs!" | Jacques Offenbach, Gérard Friedmann, Paul Crook, Plácido Domingo, Edita Gruberova, Claudia Eder, Gabriel Bacquier, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | G Major | 3 | 9B | 69 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Requiem: II. Dies irae "Mors stupebit" | Giuseppe Verdi, London Symphony Orchestra, Michele Pertusi, Gianandrea Noseda | D♭ Major | 0 | 3B | 76 BPM | ||
Macbeth / Act 1: Scena e Sestetto - Finale I: "Di destarlo per tempo il re m'impose" | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Antonio Savastano, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 2 | 3B | 94 BPM | ||
Das Rheingold, WWV 86A / Erste Szene: "Nur wer der Minne Macht entsagt" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM |