"Gounod : Faust : Act 1 "A moi les plaisirs" [Faust, Méphistophélès]" by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra was released on April 28, 1994. Since Gounod : Faust : Act 1 "A moi les plaisirs" [Faust, Méphistophélès] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Charles Gounod, Carlo Rizzi, Orchestra of the Welsh National Opera's "Gounod : Faust" album is number 6 out of 64. Gounod : Faust : Act 1 "A moi les plaisirs" [Faust, Méphistophélès] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gounod : Faust : Act 1 "A moi les plaisirs" [Faust, Méphistophélès] by Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | G Major | 0 | 9B | 90 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
L'heure exquise | Reynaldo Hahn, Christian-Pierre La Marca | D Major | 0 | 10B | 80 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Renaud Capuçon | A♭ Major | 2 | 4B | 89 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 89 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM |