"Rusalka, Op. 114 / Act 1: Sem casto prichazi a v objeti mé stoupá" by Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras was released on January 1, 1998. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Rusalka, Op. 114 / Act 1: Sem casto prichazi a v objeti mé stoupá is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114 / Act 1: Sem casto prichazi a v objeti mé stoupá by Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras is Vivace (lively and fast), since this song has a tempo of 176 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 3: "Come è lunga l'attesta!" | Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 71 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Hear ye, Israel" - "Thus saith the Lord" - "I am He that comforteth" | Felix Mendelssohn, Renée Fleming, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Major | 0 | 6B | 120 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Lift thine eyes to the mountains" | Felix Mendelssohn, Edinburgh Festival Chorus, Renée Fleming, Patricia Bardon, Libby Crabtree, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | E Major | 2 | 12B | 80 BPM | ||
Puccini: La Rondine, Act 3: "Ma come puoi lasciarmi" (Ruggero, Magda) | Giacomo Puccini, Roberto Alagna, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel | Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht | E♭ Major | 0 | 5B | 83 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: Introduzione - "Ite sul colle, o Druidi" | Vincenzo Bellini, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B Minor | 2 | 10A | 114 BPM | ||
Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi | Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 98 BPM |