Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi

Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras
Dvorák: Rusalka
5:00 1998年1月1日
テンポ
98
キー
E Major
キャメロットミュージックキー
12B

リンクを埋め込む

共有

Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi - Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras 情報

音響性
96%
ダンサビリティ
27%
エネルギー
8%
手段性
0%
活気
10%
ラウドネス
57%
話し言葉
6%
価数
4%
人気
ラウドネス
-25.649 dB

まとめ

"Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi" by Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 1998. With this song being about 5 minutes long, at 5:00, "Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi" by Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi テンポ

The tempo marking of Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi by Antonín Dvořák, Renée Fleming, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Rusalka, Op. 114 / Act 1: Tvoje moudrost vsechno tusi キー

E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Salome, Op. 54 / Scene 3: Salome, Op. 54 / Scene 3: "Zurück, Tochter Sodoms!"Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe SinopoliB Minor110A128 BPM
Il Trovatore / Act 1: Il Trovatore / Act 1: "Tacea la notte" - "Quanto narrasti di turbamento"Giuseppe Verdi, Joan Sutherland, Norma Burrowes, National Philharmonic Orchestra, Richard BonyngeA♭ Major14B165 BPM
Péchés de vieillesse, Vol. 11 Péchés de vieillesse, Vol. 11 "Miscellanée de musique vocale": No. 1, Ariette villageoiseGioachino Rossini, Giuseppina Bridelli, Alessandro MarangoniG Major19B85 BPM
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée by Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de ParisCarmen / Act 1: Dans l'air, nous suivons des yeux la fuméeGeorges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de ParisE Major012B83 BPM
Lohengrin, WWV 75 / Act III: Lohengrin, WWV 75 / Act III: "Mein lieber Schwan!"Richard Wagner, Siegfried Jerusalem, Kurt Moll, Waltraud Meier, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio AbbadoD Major110B117 BPM
Die Liebe der Danae, Op. 83, TrV 278: Wie ungibst du mich mit frieden by Richard Strauss, Julia Varady, Bamberg Symphony, Dietrich Fischer-DieskauDie Liebe der Danae, Op. 83, TrV 278: Wie ungibst du mich mit friedenRichard Strauss, Julia Varady, Bamberg Symphony, Dietrich Fischer-DieskauF Major27B83 BPM
Die Fledermaus / Act 3: Nr.14 Couplets: Die Fledermaus / Act 3: Nr.14 Couplets: "Spiel' ich die Unschuld vom Lande"Johann Strauss II, Lucia Popp, Evi List, Benno Kusche, Bavarian State Orchestra, Carlos KleiberG Major19B102 BPM
Der fliegende Holländer, WWV 63 / Act 1: Der fliegende Holländer, WWV 63 / Act 1: "Hojoje! Hallojo! Ho!...Kein Zweifel! Sieben Meilen"Richard Wagner, Martti Talvela, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg SoltiB♭ Major26B75 BPM
Rossini: Guillaume Tell, Act 2 Scene 2: Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde)Gioachino Rossini, Montserrat CaballéA♭ Major14B74 BPM
Requiem, Op. 89 B. 165: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus) by Antonín Dvořák, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni WitRequiem, Op. 89 B. 165: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus)Antonín Dvořák, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni WitD♭ Major23B92 BPM
ISRC
GBF079810880
レコードレーベル
L-M Records/RCA Records