"Turandot / Act 3: Tu che di gel sei cinta" by Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta had its release date on September 1, 1973. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Turandot / Act 3: Tu che di gel sei cinta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #8. Based on our statistics, Turandot / Act 3: Tu che di gel sei cinta's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 3: Tu che di gel sei cinta by Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta having a テンポ of 145 with a half-time of 72 テンポ and a double-time of 290 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Un ballo in maschera / Act 3: "Forse la soglia attinse" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 1 | 4B | 90 BPM | ||
Tosca / Act I: "Gente là dentro!" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Gottfried Hornik, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 82 BPM | ||
MADAME BUTTERFLY · Oper in 3 Akten · Querschnitt in deutscher Sprache (inkl. Bonus mit Marcel Cordes), Erster Akt: - Bald sind wir auf der Höh' | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Erna Berger/Frauenchor Der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | G Major | 2 | 9B | 79 BPM | ||
Puccini: Tosca, Act 1 Scene 3: "Dammi i colori! … Recondita armonia" (Cavaradossi, Sagrestano) | Giacomo Puccini, Giuseppe Di Stefano, Angelo Mercuriali, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Pagliacci / Act 2: "Versa il filtro ne la tazza sua!" | Ruggero Leoncavallo, Vincenzo Bello, Mirella Freni, Luciano Pavarotti, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Minor | 1 | 9A | 136 BPM | ||
La Fanciulla del West / Act 2: Che c'è di nuovo, Jack? | Giacomo Puccini, Carol Neblett, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | A Minor | 4 | 8A | 127 BPM | ||
La traviata / Act 2: "Lunge da lei...De' miei bollenti spiriti" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 82 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM |