Wesendonck Lieder, WWV 91: Schmerzen

Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis
Wagner: Wesendonk Lieder; Tristan & Isolde: Prelude & Liebestod
2:31 1976年7月1日
テンポ
132
キー
C Minor
キャメロットミュージックキー
5A

リンクを埋め込む

共有

Wesendonck Lieder, WWV 91: Schmerzen - Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis 情報

音響性
97%
ダンサビリティ
27%
エネルギー
12%
手段性
0%
活気
11%
ラウドネス
68%
話し言葉
4%
価数
7%
人気
ラウドネス
-19.326 dB

まとめ

"Wesendonck Lieder, WWV 91: Schmerzen" by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis was released on July 1, 1976. The duration of Wesendonck Lieder, WWV 91: Schmerzen is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Wesendonck Lieder, WWV 91: Schmerzen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Wesendonk Lieder; Tristan & Isolde: Prelude & Liebestod by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis. The song's track number on the album is #6 out of 7 tracks. Based on our statistics, Wesendonck Lieder, WWV 91: Schmerzen's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wesendonck Lieder, WWV 91: Schmerzen テンポ

Since Wesendonck Lieder, WWV 91: Schmerzen by Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Wesendonck Lieder, WWV 91: Schmerzen being at 132 テンポ, the half-time would be 66 テンポ with a double-time of 264 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Wesendonck Lieder, WWV 91: Schmerzen キー

This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Requiem: XVII. Libera Me by Giuseppe Verdi, Sir Colin Davis, Christine Brewer, London Symphony OrchestraRequiem: XVII. Libera MeGiuseppe Verdi, Sir Colin Davis, Christine Brewer, London Symphony OrchestraC Minor15A118 BPM
German Requiem, Op. 45: Denn alles Fleisch es ist wie Gras by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony ChorusGerman Requiem, Op. 45: Denn alles Fleisch es ist wie GrasJohannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony ChorusE♭ Major05B98 BPM
Symphony No. 4 in G Major: IV. Sehr behaglich: Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden"Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre BoulezE Major012B110 BPM
L'elisir d'amore / Act 1: L'elisir d'amore / Act 1: "Bel conforto"Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard BonyngeF Major37B56 BPM
Rossini: Il Barbiere di Siviglia, Act 1: Rossini: Il Barbiere di Siviglia, Act 1: "Una voce poco fà" (Rosina)Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri, John ConstableF Major27B133 BPM
Les Troyens, Op. 29, H 133, Act V: No. 38. Les Troyens, Op. 29, H 133, Act V: No. 38. "Vallon sonore"Hector Berlioz, London Symphony Orchestra, Sir Colin DavisG Minor06A75 BPM
Cavalleria rusticana: Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor"Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea GavazzeniG Major29B68 BPM
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) by Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia OrchestraDie lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna)Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia OrchestraG Major19B85 BPM
Symphony No. 8 in E-Flat Major Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Accende lumen sensibusGustav Mahler, Leonard Bernstein, London Symphony OrchestraE♭ Major25B77 BPM
Prokofiev: Symphony No. 1 in D Major, Op. 25 Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": I. AllegroSergei Prokofiev, André Previn, London Symphony OrchestraG Major19B101 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records