"Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo)" by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic was released on 2011. Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 7 out of 10 in Dvořák: Stabat Mater by Antonín Dvořák, Philippe Herreweghe, Antwerp Symphony Orchestra, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob.XXI,2: Pt. 3, Our Duty We Have Now Performed | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers | E♭ Major | 0 | 5B | 87 BPM | ||
Elias, Op. 70, MWV A25, Part II: No. 34, Chorus "Der Herr ging vorüber" | Felix Mendelssohn, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: XI. Gloria (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 97 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM | ||
Rückert Lieder: IV. Um Mitternacht | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | A Minor | 1 | 8A | 72 BPM | ||
Stabat Mater: Pro peccatis suae gentis | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | G Minor | 4 | 6A | 79 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers | C Major | 2 | 8B | 102 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 6. Aria (Alt) "Buß und Reu" | Johann Sebastian Bach, Collegium Vocale Gent, Andreas Scholl, Philippe Herreweghe | F Minor | 0 | 4A | 73 BPM | ||
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" | Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 4 | 6B | 104 BPM |