Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo)

Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic
Dvořák: Stabat Mater
5:38 2011日
テンポ
88
キー
B♭ Major
キャメロットミュージックキー
6B

リンクを埋め込む

共有

Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) - Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic 情報

音響性
95%
ダンサビリティ
15%
エネルギー
21%
手段性
93%
活気
24%
ラウドネス
68%
話し言葉
4%
価数
10%
人気
ラウドネス
-19.409 dB

まとめ

"Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo)" by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic was released on 2011. Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 7 out of 10 in Dvořák: Stabat Mater by Antonín Dvořák, Philippe Herreweghe, Antwerp Symphony Orchestra, Collegium Vocale Gent. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) テンポ

The tempo marking of Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) キー

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
The Creation, Hob.XXI,2: Pt. 3, Our Duty We Have Now Performed by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry ChristophersThe Creation, Hob.XXI,2: Pt. 3, Our Duty We Have Now PerformedJoseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry ChristophersE♭ Major05B87 BPM
Elias, Op. 70, MWV A25, Part II: No. 34, Chorus Elias, Op. 70, MWV A25, Part II: No. 34, Chorus "Der Herr ging vorüber"Felix Mendelssohn, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe HerrewegheD Major310B109 BPM
Vivaldi: Magnificat in G Minor, RV 611: XI. Gloria (Ed. Malipiero) by Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia OrchestraVivaldi: Magnificat in G Minor, RV 611: XI. Gloria (Ed. Malipiero)Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia OrchestraE♭ Major15B97 BPM
Missa in angustiis Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis DeoFranz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin DavisD Major210B86 BPM
Mass No. 2 in G Major, D. 167: VI. Agnus Dei by Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener StaatsoperMass No. 2 in G Major, D. 167: VI. Agnus DeiFranz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener StaatsoperE Minor09A73 BPM
Rückert Lieder: IV. Um Mitternacht by Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl BöhmRückert Lieder: IV. Um MitternachtGustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl BöhmA Minor18A72 BPM
Stabat Mater: Pro peccatis suae gentis by Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego FasolisStabat Mater: Pro peccatis suae gentisAgostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego FasolisG Minor46A79 BPM
The Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work Beholds by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry ChristophersThe Creation, Hob.XXI,2: Pt. 1, The Marv’llous Work BeholdsJoseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry ChristophersC Major28B102 BPM
Matthäus-Passion, BWV 244, Erster Teil: 6. Aria (Alt) Matthäus-Passion, BWV 244, Erster Teil: 6. Aria (Alt) "Buß und Reu"Johann Sebastian Bach, Collegium Vocale Gent, Andreas Scholl, Philippe HerrewegheF Minor04A73 BPM
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen"Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener SingvereinB♭ Major46B104 BPM
ISRC
BER181200907
レコードレーベル
L-M Records/RCA Records