"Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo" by Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis was released on January 1, 1986. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis's "Haydn: Nelson Mass" album is number 2 out of 11. On top of that, Netherlands appears to be the country where this track was created. Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo by Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Concentus Musicus Wien, Nikolaus Harnoncourt, Eva Mei, Marjana Lipovsek | E Minor | 0 | 9A | 78 BPM | ||
Lohengrin / Act 2: "In Früh'n versammelt uns der Ruf" | Richard Wagner, Bavarian Radio Chorus, Heinz Mende, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 5 | 10B | 80 BPM | ||
Attila, Act III: Non involarti, seguimi (Live) | Giuseppe Verdi, Ildebrando D'Arcangelo, Liudmyla Monastyrska, Stefano La Colla, George Petean, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | B♭ Minor | 3 | 3A | 169 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
Berliner Messe (Version for Choir & String Orchestra): II. Gloria [Live] | Arvo Pärt, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons | F Major | 1 | 7B | 144 BPM | ||
Salve regina, FP 110: Salve Regina | Francis Poulenc, Bavarian Radio Chorus, Peter Dijkstra | F♯ Major | 0 | 2B | 128 BPM | ||
Die Schöpfung, Hob XXI:2, Part II: Die Schöpfung, Hob XXI:2, Part II: No. 26, Vollendet ist das große Werk | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir | B♭ Major | 1 | 6B | 116 BPM | ||
Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio | Béla Bartók, Bavarian Radio Symphony Orchestra, Rafael Kubelík | G Major | 1 | 9B | 144 BPM | ||
Mass in B Minor, BWV 232: Kyrie eleison (Chorus) | Johann Sebastian Bach, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | D♭ Major | 3 | 3B | 131 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM |