"The Creation, Hob.XXI,2: Pt. 3, Our Duty We Have Now Performed" by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers was released on 2015. The duration of The Creation, Hob.XXI,2: Pt. 3, Our Duty We Have Now Performed is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. The Creation, Hob.XXI,2: Pt. 3, Our Duty We Have Now Performed's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 29 out of 56. On top of that, United Kingdom appears to be the country where this track was created. The Creation, Hob.XXI,2: Pt. 3, Our Duty We Have Now Performed is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 3, Our Duty We Have Now Performed by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Mandolin Concerto in G Major, S. 28: I. Allegro moderato | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens | G Major | 1 | 9B | 119 BPM | ||
Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | ||
Symphony No. 99 in E-Flat Major, Hob.I:99: IV. Finale: Vivace | Joseph Haydn, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 131 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | A Major | 2 | 11B | 100 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 1 | 10B | 118 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Polonaise in B-Flat Major, D. 580 | Franz Schubert, Ariadne Daskalakis, Kölner Akademie, Michael Alexander Willens | B♭ Major | 1 | 6B | 96 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM |